Classic

An Inhabitant of Carcosa

6 min read

Content notes: death

This tiny, dreamlike tale introduced the lost city of Carcosa, which Robert W. Chambers borrowed for The King in Yellow. The landscape is wrong in ways the narrator only slowly grasps. It is a short, eerie meditation on memory and time.

For there be divers sorts of death—some wherein the body remaineth; and in some it vanisheth quite away with the spirit. This commonly occurreth only in solitude (such is God’s will) and, none seeing the end, we say the man is lost, or gone on a long journey—which indeed he hath; but sometimes it hath happened in sight of many, as abundant testimony showeth. In one kind of death the spirit also dieth, and this it hath been known to do while yet the body was in vigor for many years. Sometimes, as is veritably attested, it dieth with the body, but after a season is raised up again in that place where the body did decay.

Pondering these words of Hali (whom God rest) and questioning their full meaning, as one who, having an intimation, yet doubts if there be not something behind, other than that which he has discerned, I noted not whither I had strayed until a sudden chill wind striking my face revived in me a sense of my surroundings. I observed with astonishment that everything seemed unfamiliar. On every side of me stretched a bleak and desolate expanse of plain, covered with a tall overgrowth of sere grass, which rustled and whistled in the autumn wind with heaven knows what mysterious and disquieting suggestion. Protruded at long intervals above it, stood strangely shaped and somber-colored rocks, which seemed to have an understanding with one another and to exchange looks of uncomfortable significance, as if they had reared their heads to watch the issue of some foreseen event. A few blasted trees here and there appeared as leaders in this malevolent conspiracy of silent expectation.

The day, I thought, must be far advanced, though the sun was invisible; and although sensible that the air was raw and chill my consciousness of that fact was rather mental than physical—I had no feeling of discomfort. Over all the dismal landscape a canopy of low, lead-colored clouds hung like a visible curse. In all this there were a menace and a portent—a hint of evil, an intimation of doom. Bird, beast, or insect there was none. The wind sighed in the bare branches of the dead trees and the gray grass bent to whisper its dread secret to the earth; but no other sound nor motion broke the awful repose of that dismal place.

I observed in the herbage a number of weatherworn stones, evidently shaped with tools. They were broken, covered with moss and half sunken in the earth. Some lay prostrate, some leaned at various angles, none was vertical. They were obviously headstones of graves, though the graves themselves no longer existed as either mounds or depressions; the years had leveled all. Scattered here and there, more massive blocks showed where some pompous tomb or ambitious monument had once flung its feeble defiance at oblivion. So old seemed these relics, these vestiges of vanity and memorials of affection and piety, so battered and worn and stained—so neglected, deserted, forgotten the place, that I could not help thinking myself the discoverer of the burial-ground of a prehistoric race of men whose very name was long extinct.

Filled with these reflections, I was for some time heedless of the sequence of my own experiences, but soon I thought, “How came I hither?” A moment’s reflection seemed to make this all clear and explain at the same time, though in a disquieting way, the singular character with which my fancy had invested all that I saw or heard. I was ill. I remembered now that I had been prostrated by a sudden fever, and that my family had told me that in my periods of delirium I had constantly cried out for liberty and air, and had been held in bed to prevent my escape out-of-doors. Now I had eluded the vigilance of my attendants and had wandered hither to—to where? I could not conjecture. Clearly I was at a considerable distance from the city where I dwelt—the ancient and famous city of Carcosa.

No signs of human life were anywhere visible nor audible; no rising smoke, no watchdog’s bark, no lowing of cattle, no shouts of children at play—nothing but that dismal burial-place, with its air of mystery and dread, due to my own disordered brain. Was I not becoming again delirious, there beyond human aid? Was it not indeed all an illusion of my madness? I called aloud the names of my wives and sons, reached out my hands in search of theirs, even as I walked among the crumbling stones and in the withered grass.

A noise behind me caused me to turn about. A wild animal—a lynx—was approaching. The thought came to me: If I break down here in the desert—if the fever return and I fail, this beast will be at my throat. I sprang toward it, shouting. It trotted tranquilly by within a hand’s breadth of me and disappeared behind a rock.

A moment later a man’s head appeared to rise out of the ground a short distance away. He was ascending the farther slope of a low hill whose crest was hardly to be distinguished from the general level. His whole figure soon came into view against the background of gray cloud. He was half naked, half clad in skins. His hair was unkempt, his beard long and ragged. In one hand he carried a bow and arrow; the other held a blazing torch with a long trail of black smoke. He walked slowly and with caution, as if he feared falling into some open grave concealed by the tall grass. This strange apparition surprised but did not alarm, and taking such a course as to intercept him I met him almost face to face, accosting him with the familiar salutation, “God keep you.”

He gave no heed, nor did he arrest his pace.

“Good stranger,” I continued, “I am ill and lost. Direct me, I beseech you, to Carcosa.”

The man broke into a barbarous chant in an unknown tongue, passing on and away.

An owl on the branch of a decayed tree hooted dismally and was answered by another in the distance. Looking upward, I saw through a sudden rift in the clouds Aldebaran and the Hyades! In all this there was a hint of night—the lynx, the man with the torch, the owl. Yet I saw—I saw even the stars in absence of the darkness. I saw, but was apparently not seen nor heard. Under what awful spell did I exist?

I seated myself at the root of a great tree, seriously to consider what it were best to do. That I was mad I could no longer doubt, yet recognized a ground of doubt in the conviction. Of fever I had no trace. I had, withal, a sense of exhilaration and vigor altogether unknown to me—a feeling of mental and physical exaltation. My senses seemed all alert; I could feel the air as a ponderous substance; I could hear the silence.

A great root of the giant tree against whose trunk I leaned as I sat held enclosed in its grasp a slab of stone, a part of which protruded into a recess formed by another root. The stone was thus partly protected from the weather, though greatly decomposed. Its edges were worn round, its corners eaten away, its surface deeply furrowed and scaled. Glittering particles of mica were visible in the earth about it—vestiges of its decomposition. This stone had apparently marked the grave out of which the tree had sprung ages ago. The tree’s exacting roots had robbed the grave and made the stone a prisoner.

A sudden wind pushed some dry leaves and twigs from the uppermost face of the stone; I saw the low-relief letters of an inscription and bent to read it. God in Heaven! my name in full!—the date of my birth!—the date of my death!

A level shaft of light illuminated the whole side of the tree as I sprang to my feet in terror. The sun was rising in the rosy east. I stood between the tree and his broad red disk—no shadow darkened the trunk!

A chorus of howling wolves saluted the dawn. I saw them sitting on their haunches, singly and in groups, on the summits of irregular mounds and tumuli filling a half of my desert prospect and extending to the horizon. And then I knew that these were ruins of the ancient and famous city of Carcosa.


Such are the facts imparted to the medium Bayrolles by the spirit Hoseib Alar Robardin.

Originally published in San Francisco Newsletter, December 1886. Public domain. Text via Standard Ebooks (CC0).

Afterword

Reader’s Companion

Spoilers below — best read after the story.

About the author

Ambrose Bierce (1842–c.1914) was a Civil War veteran, a famously caustic San Francisco journalist and the author of The Devil’s Dictionary. He also wrote war stories and supernatural tales that are some of the most original American short fiction of the nineteenth century. He disappeared in Mexico during the revolution, and his fate remains unknown.

Behind the story

“An Inhabitant of Carcosa” first appeared in the San Francisco Newsletter in December 1886. It’s very short and very strange, and its influence has been out of all proportion to its length. Robert W. Chambers took the name Carcosa, along with the name Hali, for The King in Yellow in 1895, and from there both found their way into the wider body of weird fiction that grew up around Lovecraft. In the twenty-first century the name reached a new audience through the television series True Detective.

Why it still works

The story opens with a quotation attributed to “the philosopher Hali” about the “divers sorts of death”: some in which the body remains, some in which it vanishes along with the spirit, and some in which the spirit dies while the body lives on. Bierce’s Hali is an invented sage, but the epigraph sets up the tale perfectly.

A man is walking through a strange, desolate country. He’s been ill, he thinks, and has wandered away from his bed in the city of Carcosa. Bierce describes the landscape with great precision and growing unease. The ground is barren. There are old stones, a few stunted trees, a cold wind, the howl of a lynx. The light is strange, and he can’t see the sun, though he judges the day must be far advanced. He meets a man in skins carrying a torch, who doesn’t see or hear him. Little by little, the details pile up in a way that seems wrong to us long before it seems wrong to him.

The turn comes when he finds that the stones are graves, and one of them bears his own name. The final paragraph is the most famous: the stars come out, he sees Aldebaran and the Hyades, and he understands from their positions how much time has passed. The mounds and ruins around him, with wolves sitting on them in the dawn light, are all that remains of “the ancient and famous city of Carcosa.” The man has been dead for an unimaginable time, and he’s only just found out.

The very last line adds a dry, uncanny frame: the account was given to a medium by a spirit. Bierce, who was scornful of Spiritualism, can’t resist a little irony even here.

Things to notice on a reread

  • How many times the narrator tells us he’s puzzled. He keeps noticing and not understanding, which is how the reader feels too.
  • The man with the torch. He walks right through the narrator’s world without seeing it. Who is the ghost?
  • The stars. Bierce, a careful observer, uses them as a clock.
  • The word “famous.” Carcosa was a great city once. Nothing lasts.

If this got under your skin

Chambers’s The Repairer of Reputations and The Yellow Sign take the name Carcosa in a wholly new direction. Lovecraft’s The Outsider has another narrator who learns the truth about himself at the very end. And Bierce’s own The Moonlit Road shows him again speaking through a medium, with more than one ghost.